Picture Soup Blog

The online destination for your [photo] imagination.

Posts Tagged ‘digital imaging

Long Island Photo Workshop Announces Instructors for Summer 2010

with one comment

The Long Island Photo Workshop has announced its list of classes for the August 2-5, 2010 dates. This year’s classes and instructors are: The Power of Light with Tony Corbell, Professional Digital Imaging: Photoshop CS5 for Professionals being taught by Gary Small, “Paint Like a Master” with Corel Painter to be taught by Fay Sirkis, Light is the Greatest Influence being taught by Dave Black, and Professional Polish—Creating Your Signature Style with Janice Wendt.

The Long Island Photo Workshop is a Winona affiliate and PPA affiliate school, so if you’re a PPA member and attend, you will receive 2 merits for your attendance. The LIPW will be held at the Sheraton Long Island Hotel, in Smithtown, N.Y.

For more information about the Long Island Photo Workshop, go to the website www.liphotoworkshop.com.

The Power of Light

Understanding and controlling light quality is at the core of all of Tony’s presentations. You will learn how to see a unique perspective and not be afraid to push the limits of your experience and talents. Tony is a master of lighting and seeing light. Tony will discuss all types of lighting and tools in depth. Lighting applications will include additive, subtractive, reflective and transmission. Tony will show attendees how spending a few extra moments at the time of capture can save you hours in post-production making corrections.

Photographs ⓒ Tony Corbell

Tony Corbell. Photo by Bambi Cantrell

Tony Corbell is senior manager, product education and planning for Nik Software. During his career, he has had the honor of photographing three U.S. presidents, 185 world leaders, 65 Nigerian heads of state, about 600 brides and grooms, a couple of NASA astronauts and scores of famous and not so famous faces since 1979. He has spoken at over 450 seminars and workshops around the world.

Tony has received the WPPI Lifetime Achievement Award, the Photographer of the Year award from the IPC, and is one of only 40 worldwide members of the Camera Craftsmen of America. He has also been a published author, has written articles for major photo magazines, and has had his new Location Lighting DVD produced by Software Cinema.

Oh, and he’s [supposedly] the biggest Beatles fan alive!

Light is the Greatest Influence

This workshop class will center around light and how photographers can best use it to define their subject and capture the viewer’s attention, using off-camera flash and Light Painting.

Photographs ⓒ Dave Black

Dave Black

Dave Black has been a freelance photographer for more than 30 years, and he is best known for his sports photography, featured in Sports Illustrated, Newsweek, Time, ESPN and other publications, however he is a true master of light and has photographed many other subjects during his career.

Dave is also well known for his artistic Light Painting. Dave has been a teacher and guest lecturer since 1986. His monthly website tutorial pages – “Workshop at the Ranch” and BEST of On the Road” attract over 85,000 unique visitors monthly. Last year he released The Way I See It …50 One Page Workshops, an instructional coffee table book.

Paint Like a Master

Attendees will learn how to use Photoshop and Corel Painter 11 to transform their images into paintings that replicate the former Master Painters such as Rembrandt, Money, Norman Rockwell and Picasso. Learning to interpret high key portraits to be painted as watercolors and low key images as classical portraiture for the look of heirloom canvas oil paintings.

Photographs ⓒ Fay Sirkis

Photographs ⓒ Fay Sirkis

Fay Sirkis

Fay will share her signature style of blending an image, and the new digital “brushes” she has created that replicate the brush strokes of the Old Masters. Students will receive some of these brushes as files to keep. In addition to discussing retouching in Photoshop, applying and blending paints in Painter, and the final printing process, Fay will also offer tips for marketing these photographic works of art.

Fay Sirkis has spoken across the U.S. and Europe. She is a NY-based contemporary digital artist and photographer, with a background in traditional fine art. Fay is a Painter Master, is on the advisory council of Corel Painter, and is also a Canon Print Master. She is part of the “Dream Team” Instructors who teach at NAPP’s Photoshop World Conferences. Fay is known for her teaching methods which simplify the learning curve for students.

Professional Digital Imaging: Photoshop CS5

If you’ve wanted to enhance your knowledge of Photoshop, increase your productivity and learn real-world production time savers, this is the class for you. In addition to tips, tricks, color management and other techniques, you will also learn the nuances to the just released, latest version of Photoshop CS5. Photoshop Lightroom and its use in the digital workflow will also be discussed.

Photographs ⓒ Gary Small

Photographs ⓒ Gary Small

Gary Small

Gary Small has been a professional photographer since 1979 and has been working with Photoshop since the early versions of the program. Gary was the first person in New York state and only the seventh in the country to receive the PP of A ‘Certified in Electronic Imaging’ (CEI) designation. In addition to running a studio, Gary also conducts private tutoring and consulting on color management, Photoshop and more. He has also been a beta tester of numerous software programs and photographic products over the years.

Gary’s photo may look familiar to regular visitors of Picture-soup.com, he’s our resident digital imaging, Adobe Photoshop, Photodex Proshow Producer, and color management Guru and regular contributor to our website. Prior to his work on Picture-soup.com, he was a regular contributor to imaginginfo.com and Studio & Location Photography magazine.

Professional Polish—Creating Your Signature Style

Want to turn your images from good to great? Ever wonder how top photographers get awesome, edgy images? Want to take your work to the next level? This class will learn the secrets to creative, subtle image enhancements that save you time. As someone who knows Nik Software inside and out, Janice will help students get the most out of each of the company’s programs: Nik Color Efex Pro, Nik Sharpener Pro, Viveza, Silver Efex Pro and Nikon Capture NX2.

(l.) Before (r.) After. Photographs ⓒ Janice Wendt.

(l.) Before (r.) After. Photographs ⓒ Janice Wendt.

Janice Wendt. Photo by Joseph & Louise Simone

Janice Wendt is Nik Software’s Channel Sales Manager, leading authority and ambassador, as well as often “training the trainers” on various techniques in digital imaging. She is a commercial and portrait photographer with over 25 years of experience. She also regularly gives lectures and seminars within the educational community.

— Diane Berkenfeld

Adobe Photoshop Turns Twenty

with one comment

By Diane Berkenfeld

Today is a day of celebration as Adobe Photoshop turns 20 years old and fans of the powerhouse software program are rejoicing around the world. Festivities include an anniversary celebration hosted by NAPP, the National Association of Photoshop Professionals, in San Francisco today as well as numerous organized events around the globe; a special Adobe TV broadcast reuniting the original “Photoshop team” for the first time in 18 years to discuss their early work on the software and demonstrate Photoshop 1.0 on a rebuilt Macintosh computer; Facebook and Twitter users sharing of stories online and changing their profile photo to an altered 20th anniversary logo (there are over 400,000 and growing Facebook fans for Photoshop); and Tweeting about the software by adding the tag #PS20.

The impact of Photoshop is everywhere, from the youngest digital photography enthusiast to virtually every professional photographer, to the artists at magazines and newspapers, website design, Madison Avenue and Hollywood.

In the Beginning

In 1987, Thomas Knoll developed a pixel imaging program called Display. It was a simple program to showcase grayscale images on a black-and-white monitor. However, after collaborating with his brother John, the two began adding features that made it possible to process digital image files. The program eventually caught the attention of industry influencers, and in 1988, Adobe made the decision to license the software, naming it Photoshop, and shipping the first version in 1990.

According to Thomas Knoll, Adobe predicted it would sell 500 copies of Photoshop per month. Sounds kind of like a comment made in 1943 attributed to then IBM president Thomas John Watson, “I think there is a world market for maybe five computers.”

The Photoshop team thrives off its rich beta tester program, with active and vocal users who have submitted requests and helped shape the development of features throughout the years.

“We knew we had a groundbreaking technology on our hands, but we never anticipated how much it would impact the images we see all around us. The ability to seamlessly place someone within an image was just the beginning of Photoshop’s magic,” Knoll said.

Over the past 20 years, Photoshop has evolved from a simple original display program to an application that has over 10 million users worldwide on Mac and Windows-based PCs. Countless other software companies have created software programs, Photoshop plug-ins and Photoshop actions that enrich the user experience. Not to mention the dozens of books, tutorials, workshops and other educational programs. An entire ecosystem surrounds Photoshop.

Photoshop logos through the years.

Not only has Photoshop grown from version 1.0 to where it is today at Photoshop Creative Suite (CS) 4, but Photoshop Elements, the program for enthusiasts is up to version 8, and there are even web-based solutions now, at Photoshop.com, as well as a Photoshop App., for the Apple iPhone and Android devices, as well as Photoshop Lightroom, now at version 2, (version 3 is in beta testing) for image management.

Photoshopped or Photoshop’d has even become a part of our vernacular to describe a digital image that has been altered. According to Wikipedia, Photoshopping is slang for the digital editing of images.

We here at Picture-soup.com doubt that anyone who uses Photoshop on a daily basis would want to live without the program, having grown to depend upon it for his or her livelihood. From its ability to help you salvage old, treasured family photographs, to retouching images to the point that the alterations are impossible to notice, Photoshop allows photographers and graphic artists to do their jobs better.

Long Time Users Comment

We asked a few of the folks we consider to be Photoshop Gurus to offer their thoughts on Photoshop turning 20. Read on…

Canon Explorer of Light and Print Master, Eddie Tapp (www.eddietapp.com), a photographer and educator first began using Photoshop with version 1. “I would open an image, clone something, close it out and a week later do the same thing. It wasn’t until the next version 2.5, did I jump into what Photoshop was then… more of a creative use with images applying glows, effects, this is when I developed the 90% method of color correction along with a few other techniques… and when 5.5 came out… Color Management became available for the masses for the first time,” he explains.

“What I use to love doing in the darkroom, I now love creating in Photoshop… Photoshop gives [me] so much more control in every aspect of processing my images… I do however, miss the smell of Fixer on my fingers after processing… perhaps I should invent Channel Fixer #5…”

“Photoshop the tool has aged well, becoming more and more sophisticated as it innovates technology at each release… From what I’ve seen and heard… the next release will be a celebration of enhancements and next level imaging…”

Jim Tierney, Chief Executive Anarchist at software company Digital Anarchy (www.digitalanarchy.com) started using Photoshop with version 2.0 and was developing plug-ins for it shortly thereafter with MetaTools. “It’s been interesting to see how the uses of Photoshop have expanded and changed,” he says. “When I first started using it, it was used more for design than photography. Certainly some photographers were using it, but it definitely wasn’t a requirement. You could shoot and print without ever going through an image editing program. And if your photo got scanned in, usually it went straight into Pagemaker or Quark [Xpress]. If the photo did go through Photoshop, usually it was just to tweak the contrast… either that or to do some crazy outlandish thing [to it]. Photoshop was a new tool, digital was a new medium, and people were experimenting. There were a lot of really bad Photoshop’d images out there.”

“Layers really changed things. It became much easier to do professional looking work. Before layers, you really had to understand all aspects of the program to get good results out of it. Not too mention, that around the time of versions 2.0 and 2.5 you were lucky to have a monitor that could display thousands of colors.”

“Digital imaging… the ubiquitous digital cameras that started [showing up] everywhere that made Photoshop such a powerful tool—not only for designers and photographers, but for medical, science, law enforcement uses, etc. …brought it to the point that now everyone knows what Photoshop is. THAT is an incredible difference, especially for someone who was using it when no one knew what you were talking about.”

“And Digital/RAW really changed things for photographers. It’s now become an essential tool for photographers. Those who aren’t shooting digitally and using RAW are a dying breed.”

“So I think the most interesting things about Photoshop turning 20 is all of the things that have happened around it to make it the tool it is.”

Fashion and beauty photographer Helene DeLillo (www.helenedelillo.com) first started using Photoshop at around version 1.5, when it was for scanning software. “They never thought it would be a product except for a tool to use with scanners,” she explains.

“Adobe Photoshop and Lightroom are essential tools for photographers in the production and management of their digital images. In my professional work they are invaluable. Photoshop allows me to take my fine art/Sci-Fi creative work of faeries and magical creatures to beyond this world. If I dream them flying or in an eternal forest or garden I can now seam them together and make all the lighting & textures match… My dreams become still imagery.”

“Over the last 3 months my assistant has been archiving all our old files online so that I can access any images I ever retouched or captured…It’s been an awesome process and still is not yet done. However I have been reviewing images from over 10 years ago and what a difference—imagine not having layers and every time you made a big brush stroke you had to wait; in fact the Macintosh OS would give you a coffee cup with steam [coming] off of it instead of the possessed lollypop… sometimes it would be a 15 minute wait for an action or even 30 minutes for the unsharp mask [to take effect].”

“I Love Adobe Photoshop—HAPPY 20th—we love you Knoll Brothers!!!”

Photographer, author and consultant Andrew Darlow’s (http://www.imagingbuffet.com / http://www.PhotoPetTips.com) first exposure to Photoshop was with version 2.5 while he was working at a graphic arts/prepress/printing company in New York City. “Photoshop has been and continues to be an essential part of my workflow and it has helped me to do what I love best—take and make photos that express my vision—without having to deal with the many headaches that photographers have faced for so many years,” he says.

Photographer, Action Hero, and educator Kevin Kubota (www.kkphoto-design.com / www.kubotaimagetools.com) started in digital imaging when, “We can Scitex it out” was the buzz word at the studio he worked at. “That’s when it cost a few hundred bucks to send an image out to have a small blemish removed by a lab with a Scitex machine. Now anybody with Photoshop can easily do that in under a minute. Times have changed. I think I started using Photoshop at version 2 or 3. I remember it was frustrating because at that time it was very costly to have images scanned so that you could actually have something to manipulate in Photoshop. It was love at first sight though, and I ate it up—every pixel (that was pre-MEGApixel),” he says.

“Somehow I knew that this was the direction photography was headed. I eagerly adopted the early digital cameras as well—excited that I finally had a way to quickly get my images in the computer without costly scanning.”

“Being an early Photoshop adopter gave me a couple of advantages: I was able to enhance my images and show things to my clients that very few other photographers were showing at that time. It was a great boost to my business and it kept me excited about shooting…and discovering what I could do with the images in post.”

“I also learned early on how to create my own Photoshop Actions, which I then taught people how to do as well at my early workshops. I soon realized that the looks I created and the tools I used were very valuable to other photographers as well. Photoshop gave me a vehicle, and a common platform, to share these tools and techniques. It changed my life as it gave me another new business and opened new creative doors.”

“I think that Photographers generally fall in one of two camps—those that believe the art of photography happens solely in the camera, and those that believe it happens all the way from camera to presentation. Neither is right or wrong. The only thing ‘wrong’ would be to follow a path you didn’t believe in. I am in camp two. I think that there is no ‘rule’ that photography has to be pure. It’s an art form to me, just like painting. There are no rules in art—you combine tools, techniques, brushes, colors, whatever you want to create your vision. The end product is what matters, not the tools you used to get there. Photoshop has given photographers another tool to express their vision. It has helped to allow Photography to be impressionistic, modern, and fresh like few other artists tools have done. I love that.”

Photographer and instructor Gary Small (www.jsmallphoto.com) started using Photoshop in 1996, with Version 3. “It was the first version that used layers,” he notes. “Over the past 13 years, I have watched Photoshop grow and evolve into the wonderfully powerful program it is today, while at the same time, my skills and knowledge in this fantastic program have grown and evolved as well. I got to see and experience firsthand, the introduction of color management, adjustment layers, vector based text, text on a path, Liquify, Vanishing Point, Extract, Smart Objects, Healing Brush and Patch Tool, History Brush, Smart Filters, Content Aware Scaling, and so much more. It’s been an incredible journey and I’m looking forward to continuing this adventure.”

“Like Photography itself, I’ve found that there is no end to the learning process or the things you can do with Photoshop. Without a doubt, it has had the greatest and most positive impact on my career, over everything else I’ve ever involved myself in. The impact Photoshop has had on my work as a photographer as well as an image manipulator has been amazing. It has given me the opportunity to take my images to new levels, with amazing results that were not achievable prior to Photoshop hitting the scene.”

“As an educator, it is a huge rush to be able to pass along this knowledge to others who share the same passion for photography and image manipulation that I do. Seeing the excitement in others that I had when I first learned Photoshop has made the experience that much more fulfilling for me.”

Yours truly started using Photoshop around versions 5.5 or 6 and while I would not consider myself anywhere near the Guru status of those quoted above, I do know my way around the program. —DB.

Tell us what Photoshop means to you!

For more information about the Photoshop family of products, go to www.adobe.com.

Find Photoshop on Facebook at www.facebook.com/photoshop. Find Photoshop on Twitter at www.twitter.com/photoshop.

To see the NAPP Photoshop 20th Anniversary Celebration, go to www.photoshopuser.com/photoshop20th.

To see the Adobe TV Photoshop 20th Anniversary Broadcast, go to http://tv.adobe.com/go/photoshop-20th-anniversary.

Product Review: Auto FX Software’s Photo/Graphic Edges Platinum Edition v.7

with 2 comments

By Diane Berkenfeld

I’m going to begin the review of Auto FX Software’s Photo/Graphic Edges Platinum Edition v.7 at the beginning—with installation. Photo/Graphic Edges will take about 30 minutes to install, not the five to 10 minutes that the installer says. And it may not look like it is doing anything right away, but be patient because it will install correctly. The software is Mac and Windows-based PC compatible and will work as a plug-in with Photoshop versions 7 through CS4 or as a stand-alone program. on a computer running at least MAC OS X (on an Intel or PPC Mac) or on a Windows-based PC, running Windows 2000, XP or Vista.

This version of Photo/Graphic Edges includes 32 new edge, border and frame effects. With all of the edges, frames, borders and overlays, adornments and embellishments you have thousands of options. For the pro photographer who wants to be able to add edges to a wide variety of images from baby and child photography to teens, seniors, couples and families, Photo/Graphic Edges provides edges, borders and frames appropriate for all. The software also features powerful tools to alter the edges, frames and borders. Many of them can be tweaked in a number of ways, from changing the hue, opacity, and other characteristics.

One of the additions to this version is the ability to add multiple layers to create unique images. You can save these new borders, edges and frames as presets so you can use them again. Photo/Graphic Edges Platinum Edition v.7 includes 300 pre-made layouts and instant effects, as well as the ability to add your own presets. Other new features include new storyboards and the ability to brush on edges. Auto FX Software has also improved the program with the addition of a new rendering engine and interface updates. An example of this is larger content previews. The content collections have also been reorganized so it’s easier to find what you want. And a favorites feature has also been added.

Using Photo/Graphic Edges

The software is simple to use, as a Photoshop plug-in or a stand-alone product, you launch the software, open an image and choose an edge, frame or border. You can add embellishments, adornments and overlays. If you don’t like the edges you’ve chosen, simply delete that layer and choose another. The edges and frames load pretty quickly too, so you won’t find yourself waiting.

When you are done with one image, and want to move on to another, you just open the new image and that automatically closes the first. It would be nice in a future version to have a ‘close image’ choice in the File menu, if only because everyone associates the word with the act of closing a working file.

When working with Edges, regardless of the one you choose, they reshape to fit the dimensions of the photo. When you are working with Frames, the Transform tool allows you to scale and position the photo as you want. There are actually two transform tools, transform frame/edges and transform photo so you can tweak the frame or edges and the photo exactly how you want. Auto FX notes that the Transform tools are dynamic and non-destructive.

Images can be saved as Bitmap, JPG, TIFF, and PSD files, however the software saves the PSD files flattened but with full transparency, so you can’t make any changes among the layers when opened in Photoshop. You need to do all photo editing and manipulation in Photoshop before you import the photo into Photo/Graphic Edges. One other thing you need to be aware of is that when you’re working with an image and Quit out of the stand-alone program, it will quit without asking if you want to save what you’re working with, so just don’t be too quick with your keyboard shortcuts. When you’re working with the plug-in, and Quit, it cancels the plug-in and returns you back to the host program, for example Photoshop.

I love the photo realistic darkroom edges like the filed out film holders, Polaroid film and Polaroid transfers. One of the cool things about the software is that you can add backgrounds for a full layout. Backgrounds include colors, gradients, textures, and more. Many of the frames and edges are for a single image, but there are also two-up and quad frames that can each hold a different photo. You can add text to images as well. There are frames that are designed to look like actual frames, as well as scrapbook style frames, embellishments and layouts. There are also geometric, digital, traditional, artistic, and more modern edges and frames as well as vignettes.

For software that incorporates so much content—a thousands items—you’ll have plenty to browse from, to find that exact frame or edge for your images. Photo/Graphic Edges Platinum Edition v.7 offers photographers such a wide range of options, that practically anything is possible. So much so, in fact, that you should definitely take a look at the manual before you begin, it comes as a PDF file. You might also want to view the free video tutorials on the Auto FX Software website.

For more information, go to the website at www.autofx.com.