Posts Tagged ‘Diane Berkenfeld’
Adobe Announces Lightroom 3 Release and Availability
By Diane Berkenfeld
After thorough Beta testing by the photographic community, Adobe today announced the release of Lightroom 3.
Lightroom 3, like the prior versions of the software, groups tools into five areas: Library, Develop, Slideshow, Print, and Web. The Library is where you organize your images. Develop is where the exposure changes are made, cropping is done, sharpening and noise reduction occurs, grain is added, etc. Slideshow, Print and Web are the areas that you’d work on Slideshows, Printing and Web sharing respectively.
This latest version of the image management/editing/RAW file processing software offers a brand new image processing engine, increased processing speeds and a host of improvements and new features.
Adobe rebuilt the engines that drive Lightroom from the ground up, to keep pace with the growing resolution and file size of today’s popular digital cameras, and the growth of photographers’ image libraries.
Because a new image processing engine is incorporated into Lightroom 3, when working on images that were originally processed in Lightroom 1 or 2, you’ll be given the option of using the previous version’s processing engine, or updating to the image processing engine in Lightroom 3. The choice is given to the user because slight changes can occur when updating from one version to the next, so now you don’t need to worry about the images you’ve worked on in the past and perfected.
Improvements include:
• Improved noise reduction and sharpening.
• Enhanced post crop vignetting.
• An improved import feature.
• Lens and perspective correction. Adobe also created a Lens Profile Creator that you can use to create profiles for the specific lenses you own.
• An expanded offering of custom print layouts.
• Addition of new Develop presets.
New features include:
• The ability to shoot tethered to a camera and import images directly into Lightroom. (26 Canon and Nikon models have been approved as being compatible with the launch of Lightroom 3. Additional models, as well as cameras from other manufacturers are expected to be added to that list as testing is completed. An updated list will be posted at Go.adobe.com/kb/ts_cpsid_84221_en-us.
• Cataloging of video files in addition to still images. Video files will show an icon of a video camera in the bottom left corner.
• The ability to add natural looking grain to images.
• The creation of slideshows synced to music that can be output as movie files compressed for the web, at HD quality and everywhere in between.
• Flexible watermarking.
• Direct access to image sharing websites and mobile devices. An included Flickr plug-in lets you upload directly to that website. Developers will be able to create such direct access for other websites and services.
Minimum system requirements for Lightroom 3 are: Mac – Intel-based Mac, OS X 10.5 or 10.6, 2 Gigs of RAM, 1 Gig of hard disk space, CD-ROM drive, and 1024 x 768 monitor resolution; Windows – Intel Pentium 4, OS Windows 7, Vista Home Premium, Business, Ultimate, or Enterprise (certified for 32-bit and 64-bit editions) or Microsoft XP with Service Pack 2, 2 Gigs RAM, 1 Gig available hard disk space, CD-ROM drive, and 1024 x 768 monitor resolution. Lightroom 3 is a 64-bit application by default for the Mac, and can be used as a 32-bit application if users so choose. For Windows, the 64-bit version will only be installed on Windows 7 or Vista 64-bit operating systems, all other operating systems will install the 32-bit version by default.
My 2 ¢
As a Lightroom user since version 1.0, the decision to upgrade to the latest version of Lightroom is a no brainer. Why stay in the past when you can improve your workflow and utilize the many new features of the software. And at a cost of only $99 to upgrade, its quite affordable to do so.
If you’re debating whether or not to add Lightoom to your workflow, the list of features alone should sway the decision. The full program MSRP is $299.
Lightroom is a powerful part of my workflow. When you’re shooting hundreds or thousands of images per job, you don’t want to be editing through images by opening each file individually. While Adobe Bridge offers the ability to perform some tasks, Lightroom 3 features not only image management but image editing tools as well.
Using Lightroom 3 in conjunction with Photoshop CS5 is my ideal workflow. I import all images I shoot into Lightroom, edit through them for the files I want to work with, make exposure changes, crop/straighten images, and export the files in the size(s) I need. (The export feature alone is worth the price of the software to me! Especially when I have to save multiple sizes of the same images.) Major retouching or compositing is then done in Photoshop.
Adobe is shipping Lightroom 3 starting today.
For more information, go to www.adobe.com.
♦ We’ve begun testing out Lightroom 3 and will be posting a full review within a week! —Ed.
Virtual Trade Shows: Education, Networking & More At Your Own Computer
By Diane Berkenfeld
Last week I went to a trade show. And I didn’t even bother to get out of my pajamas. Ok… I did get dressed, but I could have stayed in my P.J.s with bed head and no makeup, and no one would have been the wiser.
How you ask? I attended the Focus on Wedding and Portrait Photography virtual trade show organized by PDN magazine (www.pdnonline.com; www.photoplusexpo.com). The tradeshow was “live” May 24 and 25, but will be archived for the next two months.

On the left is a screengrab of one of the three exhibit halls, on the right is a screengrab of the lobby of the PDN Virtual Trade Show.
Just like normal trade shows in the physical world, this virtual show had a lobby, three exhibit halls and an auditorium where seminars were given. Just like actual trade shows, you could have your badge swiped to receive additional information. You could even put digital information (PDFs) in your exhibit bag, and download them later.
The Focus on Wedding and Portrait Photography virtual trade show focused on weddings and portraits. The range of seminars included those dedicated to posing and lighting, business and marketing, and Photoshop techniques.
I love the idea of a virtual trade show. While I enjoy attending actual trade shows because of the face-to-face networking and true interactivity of presentations, there is definitely a place for virtual events. Especially when you can’t get away from work or afford travel expenses. For a virtual event, just fill out the registration form and attend. What’s great about virtual events is that the seminars begin for each attendee when they enter the auditorium. For example, enter most of the seminars late at a virtual event, and you aren’t conspicuously searching for a seat and missing part of the presentation. When these virtual events are archived (this show is being archived for two months) you can take in all of the presentations at your leisure.
After many of the seminars at the Focus on Wedding and Portrait Photography event, there were live chats with the presenters. Just type your questions and the presenter types his/her response.
How popular are virtual events? They are being attended in increasing numbers and gaining in popularity, according to Champion Exposition Services. Seven out of 10 respondents in their ‘survey on the use and adoption of digital tools by the association market’ are actively producing or considering a future virtual event. And these associations aren’t replacing actual shows with virtual events but adding them into their marketing mix.
I found the more interactive booths where video launched automatically, were the more interesting ones over those that only had PDF files that you’d download and read later.

On the left is a screengrab of Doug Gordon's exhibitor booth, on the right is a screengrab of the video that automatically launches when you visit the booth. This was one of the more interactive booths of the virtual trade show.
You could even connect with fellow attendees, via email or chat.
For the most part, the attendees, exhibitors and presenters I spoke with came away a positive experience from PDN‘s virtual trade show. One benefit for exhibitors: a virtual event replaces hours or even days of booth set up and tear down with mere minutes of work. Exhibitors noted they were able to connect with new customers, presenters enjoyed the experience, and attendees liked the concept and experience.
Pet photographer Margaret Bryant (www.bryantdogphotography.com) attended this event as well as a previous PDN virtual trade show. Although she didn’t use the chat feature, she did like that attendees were given the opportunity to chat with presenters and exhibitors. “I think [a virtual show] is probably more valuable for those who can’t attend a physical trade show. To me, it is in addition to a physical trade show, not a substitution. I’m a tactile person so I like to touch merchandise at the trade show. I also like the face-to-face contact. But I do think there is a place for virtual trade shows,” Bryant says.
This virtual show was the first attended by photographer Stephanie Natale, (www.natalephotography.com). Natale ‘walked the trade show’ and even signed up with one of the exhibitors. “I think it is a great idea,” she says, adding, “I’d attend another one for sure.”
Darla Achey, marketing communications specialist, Mitsubishi Digital Electronics, (www.mitsubishi-imaging.com) said this was her first virtual trade show. Mitsubishi was an exhibitor and seminar sponsor. “I love the concept,” she says. In addition to new leads, Achey explains, “This was a great opportunity, that was cost effective, and helped us build brand recognition for our photo products.” She adds, “It’s a great way to reach people who might not otherwise be able to get away for a trade show.”
The PDN virtual event was also the first such experience for photographer and presenter Judy Host (www.judyhost.com). She feels the concept has worldwide appeal. “I would love to participate again. There is something to be said about having your program pre-recorded and being able to respond to questions via email afterwards. I don’t think it will ever replace a “real experience” but it sure does give access to those who wouldn’t normally have it.” Host sees virtual events as a great educational tool. “There are so many people out there that want the education that we provide and just can’t afford to travel and/or give up their time. This brings the training into their homes and makes it convenient for them to learn. As an educator, it just doesn’t get any better than that,” she adds.
So the next time an invitation to a virtual trade show lands in your e-mail inbox, why not attend. You won’t have to travel further than your own computer—and you just might learn something new!
Mamiya Announces RZ33 Digital Camera Kit
Mamiya announced the addition of a new medium format digital camera kit to its line, with the introduction of the 33MP Mamiya RZ33. The RZ33 offers cable-free operation, because it was designed with integrated electronics, for direct, cable free communication with the digital back. Also, it features a CompactFlash card slot, so you aren’t tied to a computer while shooting. However, should you want to shoot tethered, you can, connecting the camera to a computer via a FireWire 800 cable, and using either Capture One and Leaf Capture software.
The RZ33 has an ISO range of 50-800, with a 12 f/stop dynamic range. The camera produces a .mos RAW file, with 16 bits/channel. It is an HDR-type Mosaic RAW file, with uncompressed or lossless compression. The largest file that the RZ33 is capable of producing is a 190 megabyte 16 bit TIFF.
Other features of the camera include flash sync at all speeds from 8 seconds to 1/400 of a second (plus T-setting for up to 32 seconds) through the use of leaf-shutters built into the RZ system lenses; precise rack and pinion bellows focusing on all RZ lenses without mounting adapters; and a 6x7cm LCD touchscreen interface. And because the RZ offers vertical-horizontal rotation, you don’t need to turn the camera while shooting.
You can view images remotely on an Apple iPhone, iPod Touch or iPad (in tethered mode, Wi-Fi required).
The RZ33 kit is ideal for photographers who already own RZ system cameras; it is compatible with all 19 RZ system lenses and most accessories. Optional accessories include: film backs, interchangeable viewfinders, (the waist-level finder is included); interchangeable focusing screens, (the Matte Focusing Screen is standard); the Power Winder 2, which cocks the shutter and resets the mirror automatically, for exposures at about one frame per second. It can also be remote controlled with radio or IR transmitters; extension tubes; and more. You can also use RZ67 system accessories with the new RZ33.
“The new RZ33 brings all the ease-of-use advantages of the tried and true RZ camera system to large-sensor digital photography while making tremendous use of the existing line of world-renowned Mamiya RZ optics and accessories,” says Mamiya Product Marketing Manager Mike Edwards.
The new Mamiya RZ33 digital camera kit, including the RZIID camera body, 33MP focusing screen, Mamiya cable-free digital integration plate, Mamiya DM33 digital back and battery, battery charger, FW800 cable, Capture One and Leaf Capture software, will be available in the U.S. for $17,990 and will begin shipping in July 2010.
Go to www.mamiya.com for more information.
— Diane Berkenfeld
Product Review: Foto Fashionista’s My Foto Vest for Ladies
By Diane Berkenfeld
I am a woman with a camera—a professional photographer.
When shooting personal projects or working on location, I don’t always want to carry a camera bag, nor do I always want to have a gear belt full of pouches that resembles Batman or Robin’s utility belts. Thanks to fellow photographer Marla Holden, I won’t have to do that anymore. That’s because Marla decided to design a photo vest for women.
The vests fit a woman’s shape, unlike the baggy, oversized photojournalist’s vests that have been available for men for years. Marla’s company, Foto Fashionista, offers female photographers a more fashionable choice for carrying necessities while shooting, the My Foto Vest, in four styles: Nantucket Stripe, Casual Friday Khaki, Saturday Blue Jeans, and Midnight Denim. The vests are made of comfortable cotton materials, and are machine washable. They’re available in small, medium, large and x-large.
One of the great features of My Foto Vest is that the back is made of a stretchable lace, so it breathes. A zipper lets you wear the vest closed or open. On the inside of the vest, you’ll find pockets that are made of a stretchy neoprene-like material. The right side features five pockets, one for a pen, and four more to hold accessories. The left side has two pockets for accessories, with three smaller pockets to hold media cards higher up near your shoulder.

Pockets are stretchable. The My Foto Vest is comfortable to wear even when you've got the pockets full and the vest zippered closed.
Photo accessories, such as a light meter, flash, lens caps, filters, white balance devices (i.e. Spydercube), extra batteries, and more will easily fit in the pockets. So will a cellphone, keys, ID and money, or a small wallet. I like that when wearing a Foto Fashionista vest, I don’t have to stuff everything in my pant’s pockets. This is important, because, except for denim jeans, not all pants have pockets that are large enough, or shaped correctly to safely hold much of anything. I would like to be able to fit a lens in the vest, and wasn’t able to with the lenses than I own. The material that makes up the pockets is stretchy, but I couldn’t get the lenses to pass through the seams at the top of the pockets—which also speaks to the durability of the vests’ construction.
I like the ability to keep my full media cards on me. I don’t normally put shot cards in my gear bag in the event that it disappears on a shoot. My camera gear is replaceable, but the photographs I’ve taken aren’t.
Overall, I found the vest could replace a small purse, which I would find helpful on its own. If I was going out shooting with only one lens, I would definitely wear the vest instead of carrying a small camera bag. Being able to easily and comfortably carry accessories I use all the time is great. Because I shoot events, I would definitely like to see a more formal looking vest in black. Marla has said she’s working on a formal design for photographers to wear while shooting events, and I can’t wait to try it out.
MSRP of the My Foto Vest is $139.99. For more information, go to www.fotofashionista.com.
Sony Joins the Compact Interchangeable Lens Camera Party
Sony recently introduced two new Alpha compact digitals that join in the non-DLSR, interchangeable lens category that Olympus, and Panasonic are already part of, with their micro four-thirds systems. The cameras were first announced at PMA earlier this year.

Sony's Alpha NEX-5
The Alpha NEX-5 and NEX-3 provide the quality of a DSLR in a compact body. Because this type of cameras don’t utilize a mirror prism, their physical size can be much smaller than the ordinary DSLR.
Both Sony models utilize a newly developed 14.2 MP Exmor APS HD CMOS sensor. The sensor is 60% larger than the micro four-thirds camera sensors.
What makes the new Alpha NEX-5 and NEX-3 cameras so cool is that the APS-C sensor continually adjusts focus and exposure while recording video—the first of its kind. The NEX-5 offers Full HD movie capture at (1080i AVCHD and 720p MP4) with Full HD 60i recording. The NEX-3 shoots 720p HD video, saving them as MP4 files.
Features of the cameras include built-in stereo microphones, Sony’s BIONZ processor, and high speed burst of full-res images at up to 7 frames per second. The cameras are also the first to incorporate the Sweep Panorama feature that allows your images to show up to 226° horizontal or 151° vertical field of view. With a firmware update available mid-summer, the cameras will also be able to shoot 3D Sweep Panorama images with a single lens.

Sony Alpha NEX-3
Both camera models feature a 3-inch LCD, that tilt up or down for added flexibility.
Three new E-mount lenses are being introduced with the NEX-5 and NEX-3: the 16mm f/2.8 prime lens, an 18-55mm f/3.5-5.6 OSS standard zoom and an 18-200mm f/3.5-6.3 OSS zoom.
The cameras come with a super-compact clip-on flash. They also feature dual media card compatibility, accepting both Memory Stick PRO Duo (and Memory Stick PRO-HG Duo) and SD cards, (including SDHC and SDXC formats).
An optional mount adapter—LA-EA1—makes all 30 of the Alpha family lenses usable on the camera bodies, as well as older legacy A-mount lenses (manually focusing only). Other optional accessories include an ultra wide converter that gives a 12mm view and a Fisheye converter; an optical viewfinder, and stereo microphone. The flash, optical viewfinder and mic all connect to the cameras by the accessory shoe at the top of the camera body.
Sony is shipping the NEX-5A digital in silver and black and NEX-3A digital in silver, black and red as a kit with the 16mm lens (MSRP $650 and $550 respectively); and as a kit with the 18-55mm lens (MSRP $700 and $600 respectively). The camera bodies, accessories and 16mm and 18-55mm lenses will be available in July. The 18-200mm lens will be available in the fall.

(l. to r.) NEX-3 in red, silver NEX-3 with accessory stereo mic, the rear tilting LCD is a feature of both models, the NEX-5 and NEX-3.
For more information, go to www.sony.com.
— Diane Berkenfeld
Adobe Creative Suite 5 NOW SHIPPING
By Diane Berkenfeld
Adobe (www.adobe.com) announced yesterday that it has begun immediate shipping of the Creative Suite 5 collections and the 15 individual software titles that make up the CS5 Master Collection.
More than 250 new features have been integrated into the Adobe Creative Suite 5 Master Collection. Adobe offers all 15 software titles that make up the CS5 Master Collection individually, as well as in collections designed to incorporate those programs that photographers would need, or graphic designers or web designers. These are: Creative Suite 5 Master Collection [everything but the kitchen sink —Ed.], Creative Suite 5 Design Premium, Creative Suite 5 Design Standard, Creative Suite 5 Web Premium and Creative Suite 5 Production Premium.
Click here to read more about some of the great new features packed into Adobe’s Creative Suite 5.
♦ Look for reviews of Creative Suite 5 programs coming to Picture-soup.com soon!